Post Goals:
• Identify the main tropes of dystopian/post-apocalyptic cinema
• Identify the roles history, anonymity, and tribalism play in dystopian cinema
• Question the boundaries between vigilantism, heroism and criminality, activism and violence, the
individual and the community

Watch:
V for Vendetta (James McTeigue, US/UK/Germany, 2005)

Jean Baudrillard, “From the Universal to the Singular: The Violence of the Global,” The Future of Values:
21st-Century Talks (2004), PAGES (19-24.)
Margarita Carratero-Gonzalez, “Sympathy for the Devil: The Hero is a Terrorist in ‘V for Vendetta,’”
Promoting and Producing Evil (2011), PAGES (207-219).

Both attatched below.