“XX name XX XXX XXXXXXX,” XXXX the XXXXX XX the phone. “I’m a friend XX Philip XXXXXX’s. There’s XXXX a horrible XXXXXXXX XX XXX studio!”
Fifteen minutes later, you’re XXXXXXX XX XXX body on XXX floor in XXXXX of an easel. XX’s XXXX XX a huge XXXXXX of XXXXXX red paint. XXXX McLean’s XXXXX temple is a XXXXXXXX, XXXXXX XXXXX.
XXX XXX XXX victim’s XXXXXXXXXX XXXXXXXX, blue sport XXXX, XXXXXXX XXXXXX tie, white shirt, gray XXXXXX, XXX XXX XXXXX with XXXXXXXX souls. XX XXXXXXXXXX XXXXX illustration rests on the easel.
Tom XXXXXXX XXXXXX “XXX last time I saw Phil XXX XXXXXXX XXXXXX XXX he XXX just XXXXX XX get XXXXXXX. I’ll tell you about this XXX since you’re sure XX XXXX out XXXXX it. The XXXX he married XXXX XX be XXXXXXX to XX. There was XXXX bad XXXXXXX XXXXXXX XXXX XXX I, bit it XXX got smoothed XXXX.”
“XXXXXXX you XXXX XX how XXXX XXXXXXXX, you XXX.
“I XXX a XXXXXX impulse XXXX XXXXXXXXX to XXX Phil a XXXXXXXX XXXXX I wanted to let him know I didn’t bear any XXXXXXX. XXXX I came to the studio, he was XXXXXXXX, and XXX back XXX to XX. I guess he didn’t XXXX XX come in. XXXX I spoke, I must XXXX really startled him. He XXXXXXX XXX paint XX the floor. As he quickly XXXXXX XXXXXX, he XXXXXXXXXXXX XXXXXXX in the paint, slipped, XXX hit XXX XXXX on the corner XX XXX XXXXX! The blow, XXXXXXXX with his weak XXXXX, must have done it. I XXXXXX you XX soon XX I got XXXX XX shock. I XXXXXX how XXXX Betty XXXX XXXX when XXX hears XXX XXXXX!”
“XXXXX XX right,” you snap. “I want you XX tell XX the XXXXX!”
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