Mary Masumbuka’s XXXXXXXXX
Mary Masumbuka is a central part XX XXX XXXXXXXXX XX her students and shows courage despite the challenges, her character is charming XXX charismatic XX the same time bringing hope in her students who are learning in difficult conditions with soldiers and guns. The XXXX she sings with her students XXXXX XXXX down XXXXX XXXXXXXX' XXXXXXXXXX. XXX XX XXXXXXXXX and XXXXXXXX her students XXXXXXXXXXX XXXXX sing as a XXX XX boosting XXXXX morale. XXX is XXX epitome of XXXX and cares XXXXXXXXX XXXXX the students XXXX XXXXXXX XX apartheid when XXXXXX XX to XXXXXXXX without XXXX XXX encourages her students XXXXXXXXXXX XXXX XXX XXXX XX happy XXXX them (XXXXXX, 2014).XXX comforting XXX she XXXXX Sarafina when XXX XXXXX XXXX XXXX detention and concern XXX shows XXXXXXXX her character XX caring XXX concerned XXX her XXXXXXXX.
XXX XX XXXX XXXXXXXXX XX she gives XXXXXXXX a chance XX XXXX in XXXXX and XXXX a XXXXX of what the reality XX in history, this XXX crucial XX XXXXX were aspects of the XXXXX XXXX XXXXX not be taught XXX fear XX XXXXXXXXX. The XXXXXXX XX be told were only XXXXX XXXXXXXXXX XX the whites, Mary XXXXXXXXX, XXXXXXX, XXXXX a platform to the XXXX to explore their history XXXXXXX XXXXX XXXXXXXXXXXX. Her XXXXXXX also shows XX she XXXXXXX communism despite being XXXXXXXXXX and XXXXX XXX danger of XXXXX XXXX XX XXX soldiers (XXXXXX, 2014). .
Whoopi XXXXXXXX does a good job in portraying the character of Mary XXXXXXXXX in the XXXXXXXX film. XXX XXXXXX character XX Mary XXXXXXXXX XX XXXX portrayed in XXXXXX Goldbergs acting (XXXXX, 2018). She XXXXXXXX XXX XXXXXXXXXX XXXXXXX XXXX XXXXXXXXX XXX her XXXXXXXX XXXX XXXXXXX XXXXXXX XXX XXXXXXXX up XXXXXXX XXX. XXXXXXXXX her students XXX XXXXXXXXXX XXXXXXXX XXX XX XXX XXXXXX of XXXXXXXX, XXXXXXX XXXXXXXX XXX XXXXXXXXX well XXXXXXX no notable XXXXXXXXXX in XXXXXXXXX XXXX the two XXXXX.
Actors body XXXXXXXXX
XXX character's body movements create an XXXXXX XXXX perception XXX the XXXXXXX, for XXXXXXXX when XXXXXXX XXX story of how XXX police XXXXXXXX XXXXXXXX XXX XXXXX XXXXXXX all his body parts XXXXXXX XXXXXX as XX XXXXXX what he XXX XXXXXXXXXX XXX making XXX of meaningful XXXXXXXX to XXXXX engage the XXXXXX. The actor’s XXXXXXXXX are bigger XXXX XXXX XXXXXXX XXXX XXXXXXXXXXX XXXXXXXX XXX XXXXXXXX to their XXXXXXXXX XXXXXXXXXX detentions XXXXXXX and other struggles.
XXX director put in a lot of work in XXXXXXXXX XXX took XXXX in XXX XXXXX to practice, XXXX is XXXXXXXXX to act XXXX one as they know XXXX XXXXX XXXXX XXXXX on XXXXX in synchronistic. The struggles show XX the XXXXXX XXXXXXXX the XXXX they went XXXXXXX but endless struggle XXXXXXXXXX and how harsh the XXXXXXXX was XX ensure they get XXXXXXX. XXXX XXXXXXXX in a perfect XXXXXXXXXXXX
The XXXXXXXXX XXX quite dramatic XXX impactful for XXXXXXXX, XXX dances XXXXX singing XXX song of Sarafina shows an XXXXXXX XXXXXXXXX to XXX character XXXXXXX XXXXXXXX a clear image in the viewer's head. The teenager XXX XXXXXX to be bold in mentioning their XXXXXXX names the students with XXX XXXXXXX nickname, for XXXXXXXX, XXXX XXXXXXXXX XXXXXXXXXXX XXX body XXXXXXXX XX XXXX his story, XXX XXXX of his XXXXX s symbolic XX being strong XXXXXXXXXX XX issues, XXXXXXX XXXXXXX XXXXXXXXXXXX XX XXXXXX by XXX XXXXXX XX the only XXX XX survive XX “being sad XXXX XXX XXXX” (XXXXXX, 2014). This XX the attitude of XXX XXXXXXXX. XXX actor describes their XXXX in XXX country XX persevering a XXX XXXXX XXXXX XXXXX survival attitude to say it is XXXX XXXXXXXXXX XX how XXXX XXX situation was.
XXXXXXXXXX
The documentary portrays the XXXXXXX XX XXX XXXXXX XXX presents a clearer picture of the making of XXX XXXXXXXXXX (XXXXXX, XXXX). I find it XXXX powerful because it XXXXXXXXXXXX XXXXXXX XXXX enable the XXXXXX XX relate. XXX movement XX the actor's bodies XX XXXXXXXXXX enhancing the viewer's XXXXXXXXXX with understanding their XXXXX.
References
Kubota, X. (XXXX). XXXXXXXXXXX XXXX voices XX Sarafina. Retrieved X XXXXXX 2020, XXXXXXXXX://XXX.youtube.XXX/XXXXX?v=qoJ5bojx758&t=XXXXX
Maedza, X. (XXXX). XXXXXXXX!: The children’s revolution XXXX Soweto to XXXXXXXX. XXXXX XXXXXXX XXXXXXX XXXXXXX, 1-XX.
Mdege, N. (XXXX). Heroines, XXXXXXX XXX XXXXXXXXX: female XXXXXX as active XXXXXX in XXXXX XXXXX XXXXXXX XXXXXXXX XXX XXXXXXXXXXXX XXXXXXXXX (XXXXXXXX XXXXXXXXXXXX, XXXXXXXXXX XX XXXX Town).