Musical Response Paper – Funny Girl
Student’s Name
Institutional Affiliation
XXXXXXX XXXXXXXX XXXXX – Funny XXXX
XXXXX Girl XX a XXXXXXX narrative XX a comedienne and XXXX XXXXXXX, Fanny Brice. Barbra Streisand plays her role where XXX reveals secrets on her XXXXX relationship XXXX a gambler entrepreneur, XXXX Arnstein. This XXXXXXX was produced XX Chocolate Factory Production, XXXXX XXXXXXXX Production and XXXXX XXXXXX Production. XX XXX directed XX XXXXXXX XXXXX XXX XXXXXXXX XX XXX Digital XXXXXXX Company. X XXXX should always be happy (XXXXXXX, XXXX). XXXX XX XXX XX the themes in XXX XXXXXXX XX XXXXXXXXX by Barbra. XXXXX Brice XXXXXX wants XX XXXX it to XXXXXXX. That makes her XXX into a XXXXXXXXXXXX where she XXXXXXX in sex XXXX XXXX XXXXXXX being married.
Fanny XXXXX XXX an XXXX comedian and musician XXX rose from XXX Jewish ghetto in New XXXX XXXX XX XX the glittering XXXXXXX of XXXXXXXX. XX that XXXXXX, fanny XX very XXXXX and XXXXXXX in her XXXXXX XXX knows XX limits XXX pursue her dream. In her journey at XXXXXXXX, fanny XXX XXXXXXXXXX XX XXX famous Florenz XXXXXXXX, who was very XXXXXX for XXX follies (Wold, 2014). He helps her XXXXXX her dream, XXXXX XXX becomes a XXX star. The crowds XX XXXXX XXXXXX XX her XXXXXXXXX and vigour in singing. She XXXXXXXX XXXXX’t sing, the XXXX the song. That XX XXX of her personal characters XXXX XXXX her XXXXXXX in her XXXXXX XXX XXXXXX XXXXXX.
XXXXXXX XXXXX a XXXX, XXXXX XXXXX falls into XXX XXXX of love XXXX a reckless man, Nick XXXXXXX. The problem with her lover XX XXXX he XX a wild gambler XXX is guided by XXXX XXXXXXXXXXXX values. XXXX start XX XXXXXXXX in pre-XXXXXXX sex, but they XXXXXXXXXX marry (Digital XXXXXXX, XXXX). They XXX XXX child XXXXXXXX, but XXXXX pride causes XXXXXXXXXX in the relationship to XXX extent XX XXXXXXX XXXXX her happiness. XXXXXXX the ups XXX downs in her relationship, XXXXX XXXXX XXXXXXX to pursue happiness XXXXXXX she XXXXXXXX XXXX XXXXX XXXXXX XXXXXX XX happy.
XXX XXXXXXXXXXXX XXX XXXX XXXX musical a XXXXXXX XXXXXXXX XX XXXXXX the struggles famous people XX through XXXX though XX XXXXX their lifestyle. XXXXX rich, XXXXXX and XXXXX XX very different from XXXXX happy. XXXXXXXXX, XXX people XX love tend to XX the ones who XXX our happiness. The production XXXXXXX chose this XXXXXXX to show XXX XXXXX that even those above and beyond our desires still make choices that don’t always XXXX XXXX XXX XXXX (Hiltunen, XXXX). Suffering XXXX XXXX XX XXXXXXXXXX for XXXXXXXX. This XXXXX XXXXX XXXXXX XX the XXXXX XXXXXX XXXXXXX their dreams without limits XX XXXX XXXX to XX XXXXXXX XXX to choose love XXXX would XXXX or hold them XXXX. XXX XXXXXXX XX that we XXXXXX XXXXXX be XXXXXXX back from developing XXXXXXXXXXX with XXXXXX who XXX XX questionable XXXXXX.
XXXXX Girl can be XXXXXXXX XXXX XXXXXXXXX’s elements XX XXXXX. XXX entire XXXX XX XXX XXXXX is XXXXXXXXX because the XXXXX follows a XXXXXXXXXXXXX order. The XXXX XXXXXXXXXX XXXX XX how the relationship XXXXXXX Fanny XXX Nick ended XX XXX is left on XXX XXXXX XXXXX. XXXXX major characters in the XXXXX are XXXXX, XXXX XXX Florenz (Johnson, XXXX). XXXXX XX the XXXXXXXXXXX XXXXXXX the story XX about her XXXX XX XXXX and her XXXXXXXXXXXX XXXX the XXXX of her XXXX. Nick is the XXXXXXXXXX because his XXXXXXXXX XXXX XXXXX XXXXXXX. XXXXXXX wants Fanny to XXXXXXX in her career, XXX it XX XXX he discovers XXX nurtures her XXXXXX.
The XXXXXXX of the music is XX XXX can XXXX XXXXXXXXXX XXXX ever wanted and XXXXX be unhappy. XXXXX XX XXXX, XXXXXX and XXXXXXX. Yet, her XXXXX threatens to deny her XXXXXXXXX. I XXXXX with the message because XXXXXXXXX is ideal; XXX XXXXXX not expect it from XXXXXX. XXXX XXXXXXX applies XX people XX XXX social XXXXXXX. XXXXX are people in XXXX and happy, while others like fanny are in XXXX and XXXXXXX. Human XXXXXX XXX change at any XXXX. XXXX XXXXXXX in XXX XXX XXX XXXXXX Fanny XXXXXXXXX. XXXXXX are vulnerable XX the XXXXXXXXX charm XX XXXX.
XXX diction XX XXX XXXXXXX play XXXXXXX Fanny XX a XXXXXXXX young girl XXX rises from XXX least XXXX XX XXXXXXXXXX XXX makes it in her XXXXXX. XXX rose from poverty XX XXXX XXX riches. XXX music played by fanny is XXXXXX and emotional. She knows exactly when XX XXX XXXX and tone XX XXXX XXX theme. She XX an excellent XXXXXXXX and XXXXXX because XXX XXXX her songs while XXX XXXXX XXXXX.
XXXX XXXXXXXXXX XXX XXXXXXXXXXX worth XXXXX. XXX XXXXXXX play XX XXXXXXXXXXX, XXXXXXXXX XXX XXXXXXXXX. The XXXXXXXXXXXXX artists XXX made the play a XXXXXXX XXX XXXXXX spend their XXXX XXXXXXXXXX XXX XXXX, XXX arena and XXXXXXXX XXX XXXXXXXXXX. XXXX is blind; it XXXX XXXXX fall for a scumbag XXX XXXXX XXXXX her XXXXXXXX and expectations. I XXXXX XXXXXXXXX XXXX music XXXX XX XXXXXX XXX XXX not XXXXXXX it. XX is XXXXXXXXXXXX XXX educative.
References
XXXXXXX, X. X. (2016). Fanny XXXXX: The XXXXXXXX Funny Girl. Oxford University XXXXX on XXXXXX.
Wolf, S. (XXXX). Barbra’s ‘XXXXX XXXX’Body. Queer XXXXXX and XXX XXXXXX Question, 246-XXX.
Hiltunen, X. (2014). XXXXXXXXX in hollywood: The XXXXXXX XX XXXXXXXXXX XXXXXXXXXXXX. , : Intellect Books.
Johnson, R. (XXXX). The Clash XX XXXXXXXXXXXXX: XXXXXXXXX Shock, Multivalent Narratives XXX Islam in XXX XXXX-X/XX Era. The University of XXXXXXXXXX (United XXXXXXX).
XXXXX in XXX XXXXX | Eclipse Theatre | XXXXXXX Theatre. (XXXX). XXXXXXXXX 27 XXXX 2020, XXXX https://XXX.XXXXXXXXXXXXXXXXXX.XXX/XXXXXXXXX/XXXXXXXXXXX/eclipse-theatre/music-in-XXX-XXXXX