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The film Ida has an open ending, meaning that the viewer cannot be sure what the protagonist will do next or how her story will end. Why do you think the director chose to end the film this way? In your opinion, what impact does the open ending have in your perception of the film?
Yes thefilm Ida has an XXXX XXXXXX; I think the director has done XXXX in order to XXXXXXXX XXX curiosity XX XXX viewers till the climax of the XXXXX. The XXXXXXXXX of XXXX ending XX an enormous mode XX enrage an audience. XXXXX XX XX doubt in this technique which is really XXXXXXXXX XXX XXXXXXXX, XXX XXXXXXXXXX XXXX technique that XXXXX the surprising XXXXXXX in me in XXXX movieXXX. By parting XXX XXXX XXXXXXXX of the film caused XX XXX suspense plot, XXXX XXX also XXXXX us XX face the XXXXXX. XXXX XX XXX XXXXXXXX XX not satisfied XXXX these XXXX XXXXXXX.XXXX XXXXXXXXXXX often use XXXX tool because they doubt XXXXXXX XXXXX XX a XXXX XXXXXXXXXXX to XXXXXXX XXX problems and XXXXXXXXX XXXX XXXX XXXX XXXXXXXXXXXX. XXXX risk XXXXX it because they XXXXXXX that XXXX have to XXX the XXXX XXXX XXX. The XXXXXXXX of the film Pawal XXXXXXXXXXX XXXXXXXXXX us XXX synchronized XX XXXX a quiet XXX XXXXXX world in the opening XXXX XX XXX XXXXX. XXXX movie portrays an extraordinary way XXX vast XXXXXXXXXX between Wanda, whose temperament XXX her rapid XXXXX show a void inside, and XXX XX XXXXX XXX XXXXXXXX, whose face XXXXXXX faith XXXX XXXXX in her. Some of XX XXXXXXXX films have XXXX XXXXXXX. I like when you are XXX sure what XXXXXXXX to XXX character XXX you XXX give XXXX XXXXXXXXXXXXXX, XXXXX XXX change after reflection.
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XXX XX you think the director chose to XXXX this XXXXXXXX XXXXXXXX XXXX in black & XXXXX and not in XXXXX? XXXX impact does the black & XXXXX cinematography have on you as a viewer? How XXXXX the film be XXXXXXXXX XX it XXXX shot in color?
I think in order to convey XXX XXXX XXXXXX of the film XXX XXXXXXXX XXXX XXXX his film in XXXXX XXX white. XX XXX thought XX it is make in color it will not give XXX real effect to XXX readers. XXX XXXXXX to removes it XXXX the existence XXXXX XX in shading XXX which XXXXXXXX XXXXXXXXXX it more to that period as XXX XX XXXX XXXX XXXXXXXX. XXX in order to make the reality XX XXXXX the mode XX XXXXX XXX XXXXX XX XXXX XXXX apt. The main sensational XXXXXXXXX Pawlikowski XXXX in his XXXXX land, in the wake XX winning approval for XXX XXXXXXX XXXXXX, XXX XX set in a XXXXXX quieted XXXX. It's a motion XXXXXXX less in highly XXXXXXXXXXX than shades of XXXX, XXXX aX'accuseXXX rather XXXX it XX a XXXXXXXXXX XX character and XXXXXXX. XXXX of XXX XXXXXXXXX XXXXXXXXXXXX XX XXX film go back to XXX quality of black XXX white films. XXXX XX a big XXXX XXX the camera to XXXXXXX into XXX, because filmmakers understand that XXXXXXX images XXX colors, XXX brains take XXXXX natural XXXX in frames and the XXXXXXX XX images come XX life XXXXXXXXX, black XXX white XX XXX XXXXX XX XXXXXXX XXXXXXXXXXXXXX, and the black-XXX-white XXXX image XX of XXXXXX XXXXXXXXX XXXXXXXXXX unreal, creating a XXX kind XX XXXXXXX: film.While XXX XXXXXXXXXXX XXX XXXXXXXX cinematography represent a XXXXXXXXXXX part of the basic XXXXXXXX, it is the XXXXXXXXXXX XX the XXXXX that XXXXX XX locked in.
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XXXXXXX have XXXX XXXX Ida is a film about coping XXXX tragedy and loss. XXX XXX XXXXX's (XXX's aunt) XXX XXX's ways XX coping with XXXXXXX XXX loss different? XXX XX you think XXX two XXXXXX protagonists make XXX XXXXXXX XXXX XX?
XXX XXXXXXXX to the XXXXXXXXX, XXXXXXXX elaborate solutions that encouraged viewers to XXXXXXX XXXXX motives. Then in XXX film XX see Ida getting XXXXX to XX to a XXXX concert. Longer XXXXX are used in XXXXXXXXXXXXXX and XXXXXXX a XXXX XXXXXXXXXXXX performance. XXXX XXXXX a more emotional and XXXXXXXXXX side XX XXX's XXXXXXXXX. XXX decision XX XXXXXX XX the XXXXXXXXX eventually XXX to a XXXXXXX XXXXXXXX XX XXX contradictions in XXX character.Drinking, Smoking, Sexual undertakings: XXXXX XX a lady battling with a XXXX XXXXX of these sensual passions. Apprehensive that XXX will XXXX up XXXXXX XXXXXX, Wanda XXXXX Ida to XXXX XXXX in XXX, grabbing attractive rambler Lis to XXXX XXXXXXXXXX up. XXX opposes by XXXXXXXXXX her very own battle—an obstruction XXXX XXXXX in XXX long XXX separates. Receiving XXX's worldview of XXXXXXXX XX XXXXXX and familial connections, Wanda winds up compelled to manage XXX weight and XXXXX of the XXXX XX her XXX. The recollections XXXXXXXXXXX to XX excessively and XXX XXXXXX XXXXXXX out XX her XXXXXX. Pausing XXX a XXXXXX XX XXXXXXX Wanda's XXXXXXXXX, XXX slips XXXX Wanda's XXXX XXXXX XXX moves XXX night XXXX. XXX change XX XXXXX, XXXXXXX, XX XXX XXXXX XXXX to XXX XXXXXXXXX XXXXXXXXX and her unique worldview, XXXXXXX of her XXXXXXXX XXX XXXXX XXX XXXX into the XXXXX.XXXX XXXXXXX, in which one protagonist takes over the other and XXXXXXXXX XXX original XXXXXXX, XX the XXXXX XXX a fully functional XXXXX. Although XXXXX are XXXX reasons XXX Ida XXXXXX out, the XXXXXXX XXXXXXXXXXX XX this XXXXX in the XXXXX supports XXXXXXX.
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'Ida?: A Film XXXXXXXXXXX. (XXXX, XXX 27). XXXXXXXXX fromXXXXX://XXX.XXXXXXXXX.com/XXXXXXX/culture-XXXX/ida-a-film-XXXXXXXXXXX
(2015, February XX). Retrieved XXXXXXXXX://XXXXXXXXXXXXXX.usf.edu/cgi/XXXXXXXXXXX.cgi?article=XXXX&context=gsp&XXX;gathStatIcon=true XXX of X
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